THE LIFE AND WORK OF DYLAN THOMAS
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A prospect of the sea

It was high summer, and the boy was lying in the corn. He was happy because he had no work to do and the weather was hot. He heard the corn sway from side to side above him, and the noise of the birds who whistled from the branches of the trees that hid the house. Lying flat on his back, he stared up into the unbrokenly blue sky falling over the edge of the corn. The wind, after the warm rain before noon, smelt of rabbits and cattle. He stretched himself like a cat, and put his arms behind his head. Now he was riding on the sea, swimming through the golden corn waves, gliding along the heavens like a bird; in sevenleague boots he was springing over the fields; he was building a nest in the sixth of the seven trees that waved their hands from a bright, green hill. Now he was a boy with tousled hair, rising lazily to his feet, wandering out of the corn to the strip of river by the hillside. He put his fingers in the water, making a mock sea-wave to roll the stones over and shake the weeds; his fingers stood up like ten tower pillars in the magnifying water, and a fish with a wise head and a lashing tail swam in and out of the tower gates. He made up a story as the fish swam through the gates into the pebbles and the moving bed. There was a drowned princess from a Christmas book, with her shoulders broken and her two red pigtails stretched like the strings of a fiddle over her broken throat; she was caught in a fisherman's net, and the fish plucked her hair. He forgot how the story ended, if ever there were an end to a story that had no beginning. Did the princess live again, rising like a mermaid from the net, or did a prince from another story tauten the tails of her hair and bend her shoulder-bone into a harp and pluck the dead, black tunes for ever in the courts of the royal country? The boy sent a stone skidding over the green water. He saw a rabbit scuttle, and threw a stone at its tail. A fish leaped at the gnats, and a lark darted out of the green earth. This was the best summer since the first seasons of the world. He did not believe in God, but God had made this summer full of blue winds and heat and pigeons in the house wood. There were no chimneys on the hills with no name in the distance, only the trees which stood like women and men enjoying the sun; there were no cranes or coal-tips, only the nameless distance and the hill with seven trees. He could think of no words to say how wonderful the summer was, or the noise of the wood-pigeons, or the lazy corn blowing in the half wind from the sea at the river's end. There were no words for the sky and the sun and the summer country: the birds were nice, and the corn was nice.
     He crossed the nice field and climbed the hill. Under the innocent green of the trees, as blackbirds flew out towards the sun, the story of the princess died. That afternoon there was no drowning sea to pull her pigtails; the sea had flowed and vanished, leaving a hill, a cornfield, and a hidden house; tall as the first short tree, she clambered down from the seventh, and stood in front of him in a torn cotton frock. Her bare brown legs were scratched all over, there were berry stains round her mouth, her nails were black and broken, and her toes poked through her rubber shoes. She stood on a hill no bigger than a house, but the field below and the shining strip of river were as little as though the hill were a mountain rising over a single blade and a drop of water; the trees round the farmhouse were firesticks; and the Jarvis peaks, and Cader peak beyond them to the edge of England, were molehills and stones' shadows in the still, single yard of the distance. From the first shade, the boy stared down at the river disappearing, the corn blowing back into the soil, the hundred house trees dwindling to a stalk, and the four corners of the yellow field meeting in a square that he could cover with his hand. He saw the many-coloured county shrink like a coat in the wash. Then a new wind sprang from the pennyworth of water at the river-drop's end, blowing the hill field to its full size, and the corn stood up as before, and the one stalk that hid the house was split into a hundred trees. It happened in half a second.
     Blackbirds again flew out from the topmost boughs in a cloud like a cone; there was no end to the black, triangular flight of birds towards the sun; from hill to sun the winged bridge mounted silently; and then again a wind blew up, and this time from the vast and proper sea, and snapped the bridge's back. Like partridges the common birds fell down in a shower.
     All of it happened in half a second. The girl in the torn cotton frock sat down on the grass and crossed her legs; a real wind from nowhere lifted her frock, and up to her waist she was brown as an acorn. The boy, still standing timidly in the first shade, saw the broken, holiday princess die for the second time, and a country girl take her place on the live hill. Who had been frightened of a few birds flying out of the trees, and a sudden daze of the sun that made river and field and distance look so little under the hill? Who had told him the girl was as tall as a tree? She was no taller or stranger than the flowery girls on Sundays who picnicked in Whippet valley.
     "What were you doing up the tree?" he asked her, ashamed of his silence in front of her smiling, and suddenly shy as she moved so that the grass beneath her rose bent and green between her brown legs. "Were you after nests?" he said, and sat down beside her. But on the bent grass in the seventh shade, his first terror of her sprang up again like a sun returning from the sea that sank it, and burned his eyes to the skull and raised his hair. The stain on her lips was blood, not berries; and her nails were not broken but sharpened sideways, ten black scissor-blades ready to snip off his tongue. If he cried aloud to his uncle in the hidden house, she would make new animals, beckon Carmarthen tigers out of the mile-away wood to jump around him and bite his hands; she would make new, noisy birds in the air to whistle and chatter away his cries. He sat very still by her left side, and heard the heart in her breast drown every summer sound; every leaf of the tree that shaded them grew to man-size then, the ribs of the bark were channels and rivers wide as a great ship; and the moss on the tree, and the sharp grass ring round the base, were all the velvet coverings of green county's meadows blown hedge to hedge. Now on the world-sized hill, with the trees like heavens holding up the weathers, in the magnified summer weather she leaned towards him so that he could not see the cornfield nor his uncle's house for her thick, red hair; and sky and far ridge were points of light in the pupils of her eyes.
     This is death, said the boy to himself, consumption and whooping-cough and the stones inside you... and the way your face stays if you make too many faces in the looking-glass. Her mouth was an inch from his. Her long forefingers touched his eyelids. This is a story, he said to himself, about a boy on a holiday kissed by a broom-rider; she flew from a tree on to a hill that changes its size like a frog that loses its temper; she stroked his eyes and put her chest against him; and when she had loved him until he died she carried him off inside her to a den in a wood. But the story, like all stories, was killed as she kissed him; now he was a boy in a girl's arms, and the hill stood above a true river, and the peaks and their trees towards England were as Jarvis had known them when he walked there with his lovers and horses for half, a century, a century ago.
     Who had been frightened of a wind out of the light swelling the small country? The piece of a wind in the sun was like the wind in an empty house; it made the corners mountains and crowded the attics with shadows who broke through the roof; through the country corridors it raced in a hundred voices, each voice larger than the last, until the last voice tumbled down and the house was full of whispers.
     "Where do you come from?" she whispered in his ear. She took her arms away but still sat close, one knee between his legs, one hand on his hands. Who had been frightened of a sunburned girl no taller or stranger than the pale girls at home who had babies before they were married?
     "I come from Amman valley," said the boy.
     "I have a sister in Egypt," she said, "who lives in a pyramid..." She drew him closer.
     "They're calling me in for tea," he said.
     She lifted her frock to her waist.
     If she loves me until I die, said the boy to himself under the seventh tree on the hill that was never the same for three minutes, she will carry me away inside her, run with me rattling inside her to a den in a wood, to a hole in a tree where my uncle will never find me. This is the story of a boy being stolen. She has put a knife in my belly and turned my stomach round.
     She whispered in his ear: "I'll have a baby on every hill; what's your name, Amman?"
The afternoon was dying; lazily, namelessly drifting westward through the insects in the shade; over hill and tree and river and corn and grass to the evening shaping in the sea; blowing away; being blown from Wales in a wind, in the slow, blue grains, like a wind full of dreams and medicines; down the tide of the sun on to the grey and chanting shore where the birds from Noah's ark glide by with bushes in their mouths, and tomorrow and tomorrow tower over the cracked sand-castles.
     So she stroked her clothes into place and patted back her hair as the day began to die, she rolled over on to her left side, careless of the low sun and the darkening miles. The boy awoke cautiously into a more curious dream, a summer vision broader than the one black cloud poised in the unbroken centre on a tower shaft of light; he came out of love through a wind full of turning knives and a cave full of flesh-white birds on to a new summit, standing like a stone that faces the stars blowing and stands no ceremony from the sea wind, a hard boy angry on a mound in the middle of a country evening; he put out his chest and said hard words to the world. Out of love he came marching, head on high, through a cave between two doors to a vantage hall room with an iron view over the earth. He walked to the last rail before pitch space; though the earth bowled round quickly, he saw every plough crease and beast's print, man track and water drop, comb, crest, and plume mark, dust and death groove and signature and time-cast shade, from icefield to icefield, sea rims to sea centres, all over the apple-shaped ball under the metal rails beyond the living doors. He saw through the black thumbprint of a man's city to the fossil thumb of a once-lively man of meadows; through the grass and clover fossil of the country print to the whole hand of a forgotten city drowned under Europe; through the handprint to the arm of an empire broken like Venus; through the arm to the breast, from history to the thigh, through the thigh in the dark to the first and West print between the dark and the green Eden; and the garden was undrowned, to this next minute and for ever, under Asia in the earth that rolled on to its music in the beginning evening. When God was sleeping, he had climbed a ladder, and the room three jumps above the final rung was roofed and floored with the live pages of the book of days; the pages were gardens, the built words were trees, and Eden grew above him into Eden, and Eden grew down to Eden through the lower earth, an endless corridor of boughs and birds and leaves. He stood on a slope no wider than the loving room of the world, and the two poles kissed behind his shoulders; the boy stumbled forward like Atlas, loped over the iron view through the cave of knives and the capsized overgrowths of time to the hill in the field that had been a short mark under the platform in the clouds over the multiplying gardens.
     "Wake up," she said into his ear; the iron characters were broken in her smile, and Eden shrank into the seventh shade. She told him to look in her eyes. He had thought that her eyes were brown or green, but they were sea-blue with black lashes, and her thick hair was black. She rumpled his hair, and put his hand deep in her breast so that he knew the nipple of her heart was red. He looked in her eyes, but they made a round glass of the sun, and as he moved sharply away he saw through the transparent trees; she could make a long crystal of each tree, and turn the house wood into gauze. She told him her name, but he had forgotten it as she spoke; she told him her age, and it was a new number. "Look in my eyes," she said. It was only an hour to the proper night, the stars were coming out and the moon was ready. She took his hand and led him racing between trees over the ridge of the dewy hill, over the flowering nettles and the shut grass-flowers, over the silence into sunlight and the noise of a sea breaking on sand and stone.
     The hill in a screen of trees: between the incountry fields and the incoming sea, night on the wood and the stained beach yellow in the sun, the vanishing corn through the ten dry miles of farmland and the golden wastes where the split sand lapped over rocks, it stood between time over a secret root. The hill in two searchlights: the back moon shone on seven trees, and the sun of a strange day moved above water in the spluttering foreground. The hill between an owl and a seagull: the boy heard two birds' voices as brown wings climbed through the branches and the white wings before him fluttered on the sea waves. "Tu wit tu woo, do not adventure any more." Now the gulls that swam in the sky told him to race on along the warm sand until the water hugged him to its waves and the spindrift tore around him like a wind and a chain. The girl had her hand in his, and she rubbed her cheek on his shoulder. He was glad of her near him, for the princess was broken, and the monstrous girl was turned into a tree, and the frightening girl who threw the country into a daze of sizes, and drove him out of love into the cloudy house, was left alone in the moon's circle and the seven shades behind the screen.
     It was hot that morning in the unexpected sunshine. A girl dressed in cotton put her mouth to his ear. "I'll run you to the sea," she said, and her breasts jumped up and down as she raced in front of him, with her hair flying wild, to the edge of the sea that was not made of water and the small, thundering pebbles that broke in a million pieces as the dry sea moved in. Along the bright wrackline, from the horizon where the vast birds sailed like boats, from the four compass corners, bellying up through the weed beds, melting from orient and tropic, surging through the ice hills and the whale grounds, through sunset and sunrise corridors, the salt gardens and the herring fields, whirlpool and rock pool, out of the trickle in the mountain, down the waterfalls, a white-faced sea of people, the terrible mortal number of the waves, all the centuries' sea drenched in the hail before Christ, who suffered tomorrow's storm wind, came in with the whole world's voices on the endless beach.
     "Come back! Come back!" the boy cried to the girl.
     She ran on unheeding over the sand and was lost among the sea. Now her face was a white drop of water in the horizontal rainfall, and her limbs were white as snow and lost in the white, walking tide. Now the heart in her breast was a small red bell that rang in a wave, her colourless hair fringed the spray, and her voice lapped over the flesh-and-bone water.
     He cried again, but she had mingled with the people moving in and out. Their tides were drawn by a grave moon that never lost an arc. Their long, sea gestures were deliberate, the flat hands beckoning, the heads uplifted, the eyes in the mask faces set in one direction. Oh, where was she now in the sea? Among the white, walking, and the coral-eyed. "Come back! Come back! Darling, run out of the sea." Among the processional waves. The bell in her breast was ringing over the sand.
     He ran to the yellow foot of the dunes, calling over his shoulder. "Run out of the sea." In the once-green water where the fishes swam, where the gulls rested, where the luminous stones were rubbed and rocked on the scales of the green bed, when ships puffed over the tradeways, and the mad, nameless animals came down to drink the salt. Among the measuring people. Oh, where was she now? The sea was lost behind the dunes. He stumbled on over sand and sandflowers like a blind boy in the sun. The sun dodged round his shoulders.
     There was a story once upon a time whispered in the water voice; it blew out the echo from the trees behind the beach in the golden hollows, scraped on the wood until the musical birds and beasts came jumping into sunshine. A raven flew by him, out of a window in the Flood to the blind, wind tower shaking in tomorrow's anger like a scarecrow made out of weathers.
     "Once upon a time," said the water voice.
     "Do not adventure any more," said the echo.
     "She is ringing a bell for you in the sea."
     "I am the owl and the echo; you shall never go back."
     On a hill to the horizon stood an old man building a boat, and the light that slanted from the sea cast the holy mountain of a shadow over the three-storied decks and the Eastern timber. And through the sky, out of the beds and gardens, down the white precipice built of feathers, the loud combs and mounds, from the caves in the hill, the cloudy shapes of birds and beasts and insects drifted into the hewn door. A dove with a green petal followed in the raven's flight. Cool rain began to fall.



From A Prospect of the Sea: and other stories and prose writings, published by J.M. Dent & Sons Ltd., London, 1955
Copyright © 1937, 1945, 1955, 1956, 1962, 1965, 1966, 1967, 1971, 1977 The Trustees for the Copyrights of Dylan Thomas.



The Life And Work Of Dylan Thomas written, designed, and copyright (except where otherwise noted) © by Willem Jonkman. All rights reserved. Contact: [email protected]

Copyright for the works of Dylan Thomas on this site © 1937, 1945, 1955, 1956, 1962, 1965, 1966, 1967, 1971, 1977 The Trustees for the Copyrights of Dylan Thomas. Copyright for the recording of Under Milk Wood used on this site, © 1963, 1995 BBC Worldwide Ltd. Most works on this site are read by the author, using embedded audio-files which require Adobe Flash Player. Listening is best experienced using a broadband connection (DSL, cable, T1) in order to enjoy seamless play of this site's audio features.

Acknowledgements: Constantine FitzGibbon, The Life Of Dylan Thomas © 1965; Annis Pratt, Dylan Thomas' Early Prose: A Study In Creative Mythology © 1970; Andrew Sinclair, Dylan Thomas © 1975; Paul Ferris, Dylan Thomas - A Biography © 1977; John Ackerman, Welsh Dylan © 1979; Susan Richardson, The Legacy Of Dylan Thomas In Wales © 2000; Joan Gooding, Britain's Last Romantic Poet: Dylan Thomas © 2000.